Stanzas, Cameras and Salons

The Italian word stanza [ˈstan.tsa] means room or bedroom. I noticed it recently in my Italian lessons, and wondered where it came from. Today I realised that it’s related to the English word stanza (a part of a poem equivalent to a verse), and also has that meaning in Italian.

Villa Panza - Robert Wilson, Ivory. Black Panther, 2007

It comes from Vulgar Latin *stantia (standing, stopping-place), from Latin stantem (standing, staying, remaining), from stō (to stand, stay, remain), from Proto-Italic *staēō (to stand), from Proto-Indo-European *steh₂- (to stand) [source].

The English word stanza [ˈstænzə], which was borrowed from Italian, can also refer to:

  • An apartment or division in a building (architecture)
  • A segment or portion of a broadcast devoted to a particular topic (broadcasting)
  • A period or interval into which a sporting event is divided (sports)

It is also used in computing.

Words from the same roots include stance, stand, distant, estate, stable, stage, state, station, status and store in English, sawdl (heel) in Welsh, Staat (country, state) in German, and stam (tree trunk, stem, tribe, clan) in Dutch [source].

Other words for room in Italian include sala and camera.

Sala can also refer to a hall, living room or cinema (movie theatre), and was borrowed from French salle (hall, room), which ultimately comes from PIE *sel- (human settlement, village, dwelling), via Middle and Old French, Frankish and Proto-Germanic. The English words salon and saloon come from the same roots [source].

Camera is a room, chamber, bedroom, assembly, parliament or camera. It comes from Latin camera (chamber, room, vault), from Ancient Greek καμάρα (kamára – a vaulted chamber, vault), from Proto-Iranian *kamarā- (something curved), from *kamárati, ultimately from PIE *kh₂em- (to bend, curve) [source].

Words from the same roots include camera, cabaret and chamber in English, قَمَرَة (qamara – berth, bunk, cabin) in Arabic, καμάρα (kamára – arch, instep) in Greek, chambre (room, chamber, bedroom) and cabaret (pub, tavern, cabaret) in French, and câmara (chamber, council, camera) in Portuguese [source].

IMG_4321

Camera, as in a device for taking photos and/or videos, is an abbreviation of camera obscura (A darkened room in which the image of an outside object is projected and focused onto a surface – see above) from New Latin camera obscūra (“dark chamber”) [source].

In English, camera can also mean a vaulted room or a judge’s private chamber, where cases may be heard in camera (in secret, in private).

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Spreading Sweetness

Foods, and the words that describe them, can travel around the world. For example, tea comes from China, and so do words for tea in many languages. Similarly, avocado, chocolate, tamale, tomato come from Mexico (both the words and the foods).

Those words came to Europe from other continents, and I recently discovered some words that travelled from Europe, or Western Asia, to many other parts of the world.

Honey

It started with the Proto-Indo-European word *médʰu (honey, mead), which spread throughout Europe and Asia, and possibly as far as China, Korea, Japan and Vietnam [source].

Descendants of *médʰu include:

  • մեղու [meʁú] = bee in Armenian
  • мед (med) = honey in Bulgarian
  • mõdu [mjøːd] = mead in Estonian
  • Met [meːt] = mead in German
  • μέθη (méthi) = drunkenness in Greek
  • מותק (mótek) = sweetness in Hebrew
  • मॊदुर / مۆدُر (modur) = sweet, tasty, delicious in Kashmiri
  • medus [mædus] = honey, mead in Latvian
  • މީރު [miː.ɾu] = pleasant, sweet, agreeable, savoury in Maldivian
  • medveď [ˈmɛdvɛc] = bear (“honey-eater”) in Slovak
  • mjöd [mjøːd] = mead in Swedish
  • மதுரம் [mɐd̪ʊɾɐm] = sweetness in Tamil
  • medd [meːð] = mead, and meddw [ˈmɛðu] = drunk in Welsh

The Irish name Méabh (Maeve) also comes from the same roots, via Middle Irish medb (intoxicating) [source]. For more details of related words in Celtic languages, see this Celtiadur post: Honey Wine

It also reached China, where it became mīt (honey) in Tocharian B, and was possibly borrowed into Old Chinese as *mit (honey), which became (mì – honey) in Mandarin, (mat6 [mɐt˨] – bee, honeybee) in Cantonese, (mitsu – honey, nectar, moasses, syrup) in Japanese, (mil – beeswax) in Korean, and mật (honey, molasses) and mứt (jam) in Vietnamese [source].

Evolution of the Chinese character for honey (蜜)

Evolution of the Chinese character for honey (蜜)

See also: https://hanziyuan.net/#蜜

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Super Brows

Someone who is supercilious is arrogantly superior, haughty or shows contemptuous indifference.

Finaly Raised Eyebrow.jpg

Supercilious comes from the Latin superciliōsus (haughty, supercilious) from supercilium (eyebrow, will, pride, haughtiness, arrogance, sterness, superciliousness) from super- (above, over) and‎ cilium ( eyelid), from Proto-Italic *keljom, from PIE *ḱel-yo-m, from *ḱel- (to cover) [source].

Equivalents of supercilious in other languages include:

  • hooghartig (“high-hearted”) = haughty, supercilious in Dutch
  • hochnäsig (“high-nosed”) = snooty, stuck-up, haughty, supercilious, arrogant in German
  • kione-ard (“high-head”) = arrogant, chieftain, haughty, presumptuous, supercilious in Manx
  • ffroenuchel (“high-nostril”) = haughty, disdainful, supercilious in Welsh

The word cilium also exists in English, and means:

  • A short microscopic hairlike organelle projecting from a eukaryotic cell, which serve either for propulsion by causing currents in the surrounding fluid or as sensors.
  • One of the fine hairs along an insect’s wing.
  • Hairs or similar protrusions along the margin of an organ.
  • An eyelash (plural cilia) [source].

Related words in other languages include: cil (eyelash), and sourcil (eyebrow) in French, ceja (eyebrow, rim, edge) in Spanish, and ciglio (eyelash, eyebrow, border, edge, side) in Italian [source].

Other (eye)brow-related words include:

  • highbrow = intellectually stimulating, highly cultured, sophisticated; a cultured or learned person or thing
  • middlebrow = neither highbrow or lowbrow, but somewhere in between; a person or thing that is neither highbrow nor lowbrow, but in between
  • lowbrow = unsophisticated, not intended for an audience of intelligence, education or culture; someone or something of low education or culture.

Highbrow first appeared in print in 1875, and originally referred to the ‘science’ of phrenology, which suggested that a person of intelligence and sophistication would possess a higher brow-line than someone of lesser intelligence and sophistication [source]. Lowbrow was also conntected to phrenology and first appeared in about 1902 [source]. Middlebrow first appeared in Punch magazine in 1925 and is based highbrow and lowbrow [source].

If something is completely devoid of cultural or educational value, it could be said to be no-brow / nobrow, a word popularized by John Seabrook in his book Nobrow: the culture of marketing, the marketing of culture (2000) [source].

Incidentally, raising or furrowing your eyebrows is used to show you are asking a question in British Sign Language (BSL). Do other sign languages do this?

Do you know of any other interesting brow-related expressions?

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A Little Alliteration

I like a little alliteration, don’t you?

A Little Allteration

Alliteration is “The repetition of consonant sounds at the beginning of two or more words immediately succeeding each other, or at short intervals.” [source]. As in the sentence above. It comes from Modern/New Latin alliterationem, from alliterare (to begin with the same letter), from Latin ad (to, near) and lītera (letter, script) [source].

Other names for this include consonance (the repetition of consonants sounds) [source] and head rhyme. If similar or indentical vowel sounds are being repeated, as in “How now, brown cow?”, it’s called assonance [source] or slant rhyme.

Other kinds of rhymes include:

  • syllabic rhyme: the last syllable of each word sounds the same but does not necessarily contain stressed vowels. E.g. cleaver, silver; pitter, patter.
  • imperfect (or near) rhyme: a rhyme between a stressed and an unstressed syllable. E.g. wing, caring
  • weak (or unaccented) rhyme: a rhyme between two sets of one or more unstressed syllables. E.g. hammer, carpenter
  • semirhyme: a rhyme with an extra syllable on one word. E.g. bend, ending
  • forced (or oblique) rhyme: a rhyme with an imperfect match in sound. E.g. green and fiend; one, thumb)
  • pararhyme: all consonants match. E.g. tick, tock; bing, bong

Other types of rhyme, and other ways of classifying rhymes are available [More details].

I use a variety of rhymes in the songs I write. For example, my latest song was inspired by a phrase from the Irish course in Duolingo “Léann na lachan na nuachtán.” (The ducks read the newspaper). I made a more alliterative version: “Tá lacha ag léamh leabhar sa leabhrlann le leon agus luch.” (A duck is reading a book in the library with a lion and a mouse). The English version is only slightly alliterative, and that’s what often happens with translations, and why songs and poems are difficult to translate.

Here are the words of the song. Parts are quite alliterative, in Irish at least.

Eachtraí na Lacha (The Duck’s Adventures)

Tá an lacha ag léamh sa leabharlann
The duck is reading in the library
Tá an lacha ag léamh sa leabharlann
le leon agus luch (with a lion and a mouse)

Tá an lacha ag siúl go Sligeach
The duck is walking to Sligo
Tá an lacha ag siúl go Sligeach
ag lorg lámhainní (looking for gloves)

Tá an lacha ag canadh amhrán
The duck is singing a song
Tá an lacha ag canadh amhrán
faoi sionach an-sionnachúil (about a very cunning fox)

Tá an lacha ag labhairt Laidin
The duck is speaking Latin
Tá an lacha ag labhairt Laidin
lena lucht leanúna (with its supporters)

Tá an lacha ina coladh ina leabaidh
The duck is sleeping in its bed
Tá an lacha ina coladh ina leabaidh
Agus sin deireadh an scéil
And that’s the end of the tale
Agus sin deireadh an scéil

Here’s a rough recording:

I’ve been thinking of making it trilingual in Irish, English and Welsh, but haven’t got round to it yet.

Here’s an alliterative phrase I came up with that seems to translate well into a variety of languages:

  • English: Singers sing songs
  • Albanian: Këngëtarët këndojnë këngë
  • Armenian: Երգիչները երգեր են երգում (Yergich’nery yerger yen yergum)
  • Aymara: Q’uchunakax q’uchunak q’uchupxi
  • Bengali: গায়কেরা গান গায় (Gāẏakērā gāna gāẏa)
  • Bulgarian: Певците пеят песни (Pevtsite peyat pesni)
  • Catalan: Els cantants canten cançons
  • Corsican: I cantanti cantanu canti
  • Croatian: Pjevači pjevaju pjesme
  • Danish: Sangere synger sange
  • Dhivehi (Maldivian): (lavakiyuntherin lavakiyaeve) ލަވަކިޔުންތެރިން ލަވަކިޔައެވެ
  • Esperanto: Kantistoj kantas kantojn
  • Estonian: Lauljad laulavad laule
  • Finnish: Laulajat laulavat lauluja
  • French: Les chanteurs chantent des chansons
  • Galician: Os cantantes cantan cancións
  • Greek: Οι τραγουδιστές τραγουδούν τραγούδια (Oi tragoudistés tragoudoún tragoúdia)
  • Haitian Creole: Chantè chante chante
  • Hindi: गायक गीत गाते हैं (gaayak geet gaate hain)
  • Lingala: Bayembi bayembaka banzembo
  • Mongolian: Дуучид дуу дуулдаг (Duuchid duu duuldag)
  • Romanian: Cântăreții cântă cântece
  • Russian: Певцы поют песни (Pevtsy poyut pesni)
  • Swedish: Sångare sjunger sånger
  • Turkish: Şarkıcılar şarkılar söylüyor
  • Welsh: Cantorion yn canu caneuon

Translations by Google Translate. More are available

It’s unusual to find a phrase like this that has alliterative translations into so many different languages.

Are there other kinds of rhymes that you like / use / know?

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Sabhal Mòr Ostaig

Oban / An t-Òban
A sunny morning in Oban / Madainn ghrianach anns an Oban

The trip from Oban to Skye went smoothly, and I bumped into a couple on the bus who I met at SMO last year. There were several other SMO-bound people on the bus, but I didn’t know them at the time. We arrived safely at Broadford on Sunday afternoon, and got a lift to the college from there. Along the way, there was sunshine, lots of rain and some high winds, and the views from the bus were beautiful.

Tyndrum / Taigh an Droma
Changing buses in Tyndrum / Ag atharrachadh bhusaichean ann an Taigh an Droma

So far, the Gaelic song course has been a lot of fun. There are eleven of us in the class from Scotland, England, Ireland, Switzerland and Germany. Some are here for the first time, others have been here before. Most speak at least some Gaelic, and there’s one native speaker. For me, it’s my 10th time here doing Gaelic song courses, and the 7th course I’ve done with Christine Primrose – the other song courses were with Joy Dunlop, Margaret Stewart and Mary Ann Kennedy.

Sabhal Mòr Ostaig
Àrainn Chaluim Chille – the newer part of the college / Am pàirt as ùire den cholaiste

We learnt five songs on Monday, eleven yesterday, and another four today. Some of them I already know, or have at least heard before, which makes it easier to pick them up. Others are a bit more challenging with lots of verses, and complex melodies that change with every verse to fit to the words. Everything is taught by ear, and Christine likes to tell stories about the songs, the people who wrote them, and how life was at the time they were written. A lot of the songs are relatively old – from the 17th or 18th centuries, and have been passed on orally since then.

Sabhal Mòr Ostaig
Àrainn Ostaig – the older part of the college / am pàirt as sine den cholaiste

On Monday night there was a pub quiz, which was good fun. The team I was in didn’t win, but we were only one point behind the winning team.

The people who study here and work here come from many different places and speak a variety of languages. I try to speak as much Scottish Gaelic as I can while I’m here – that’s one of the reasons why I come here – and I’ve also had conversations in French, Irish and Mandarin Chinese, and spoken odd bits of Welsh, German, Portuguese, Japanese, and even a bit of English.

Sabhal Mòr Ostaig
The views from here are quite nice / Tha na seallaidhean às an seo gu math snog

Last night there was a concert featuring Eilidh Shaw and Ross Martin, a husband and wife duo – he plays the guitar, and she sings and plays the fiddle. They write interesting songs and lively tunes in a traditional Scottish style and sounded great. It was also a nice way to celebrate my birthday.

We have a bit of time off today, and there’s a music session in the bar tonight. I was planning to go for a walk, but it’s raining quite a lot, so I’m spending my free afternoon relaxing in my room, learning a bit more Gaelic, writing nonsense like this, and reading.

Giving Up

I have some news – I’ve had enough of learning languages and am giving up, throwing in the towel, putting the fiddle in the roof, throwing a spoon, and throwing the axe in the lake.

Giving up

This is something I’ve been thinking about for a while. I like speaking other languages, at least sometimes, but the process of learning them can be a bit tedious. I already speak some languages reasonably well and don’t currently need to learn any more, so maybe my time would be better spent doing other things.

My other main passion is music – I like to sing, to play instruments, and to write songs and tunes. I’ll be spending more time doing this, and will maybe even focus on one instrument, at least for a while, and learn to play it better.

The question is, which instrument? I have a house full of them, including a piano, harps, guitars, ukuleles, recorders, whistles, ocarinas, harmonicas, melodicas, a mandolin, a bodhrán and a cavaquinho.

The instrument I play most often at the moment is the mandolin, so maybe I should focus on that.

If you’ve noticed the date, you may realise that this post is in fact an April Fool. I’m not giving up on learning languages, and actually do enjoy the process, most of the time, and while I do want to improve my mandolin playing, I also want to improve my playing of other instruments.

Incidentally, let’s look at some ways to say that you’re giving up.

In English you might say you quit, you’re calling it a day, you’re calling it quits you’re throwing in the towel or the sponge or the cards, or you’re throwing up your hands.

Equivalent phrases in other languages include:

  • hodit flintu do žita = to throw a flint into the rye (Czech)
  • jeter le manche après la cognée = to throw the handle after the axe (French)
  • leggja árar í bát = to put oars in a boat (Icelandic)
  • do hata a chaitheamh leis = to throw your hat in (Irish)
  • gettare le armi = to throw away your weapons (Italian)
  • 匙を投げる (saji o nageru) = to throw a spoon (Japanese)
  • подня́ть бе́лый флаг (podnjat’ belyj flag) = to raise the white flag (Russian)
  • leig an saoghal leis an t-sruth = to let the world flow (Scottish Gaelic)
  • baciti pušku u šaš = to throw a gun into the sedge (Serbian)
  • kasta yxan i sjön = to throw the axe into the lake (Swedish)
  • rhoi’r ffidl yn y to = to put the fiddle in the roof (Welsh)

More details of these phrases can be found on Wiktionary.

Do you have any others?

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Whimperatives

When you ask someone to do something for you, but in an indirect kind of way, or in other words, you phrase an order or imperative obliquely as a question, this is apparently called a whimperative. For example, you might say “Would you mind closing the window?”, rather than the more direct “Please, close the window” or “Close the window!”. Or you might say “Why don’t you be quiet?” instead of “Be quiet” [source].

Do Not Discard It In The Void

This word was coined by Jerrold Sadock, a professor of Linguistics at the University of Chicago, in an essay he wrote in 1970. It’s a blend of whimper and imperative. Another term for a whimperative is interrogative directive [source].

A whimper is a low intermittent sob, and to whimper means to cry or sob softly and intermittently, to cry with a low, whining, broken voice, to whine, to complain, or to say something in a whimpering manner [source].

It is probably of imitative origin, or may by related to wimmern (to whimper, moan) in German. The words wimp and wimpy possibly come from whimper, and were likely influenced by the charcter J. Wellington Wimpy in the Popeye comics [source].

Always Tuesday - Bijou Planks 81/365

The word imperative (essential, crucial, expressing a command) comes from the Latin word imperātīvus (of or proceeding from a command, commanded), from imperō (to comand, give orders to, demand, rule, govern), from in- (in) and parō (to arrange, order, resolve) [source].

Words from the same roots include pare (to cut away the outer layer from something, especially a fruit or a vegetable) in English, parer (to adorn, bedeck, fend off) in French, parer (to stop, halt, put up, lift, stand up) in Spanish and paratoi (to prepare) in Welsh [source].

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Overflowing Vases

The French equivalent of the saying “the straw that broke the camel’s back” or “the last / final straw” is la goutte d’eau qui fait déborder le vase (the drop of water that makes the vase overflow). Which makes as much a sense, and no animals are harmed.

La goutte d'eau qui fait déborder le vase. it's the straw that breaks the camel's back

These sayings mean “The final additional small burden that makes the entirety of one’s difficulties unbearable.” The earliest known version in English appears in a debate between Thomas Hobbes and John Bramhall in 1677: ‘the last Feather may be said to break a Horses Back’.

It is thought to be based on the Arabic proverb: اَلْقَشَّة اَلَّتِي قَصَمَت ظَهْر اَلْبِعِير⁩ (al-qašša allatī qaṣamat ẓahr al-biʕīr), or “The straw that broke the camel’s back”.

Other versions in English include:

  • It is the last straw that overloads the camel (1799)
  • It was the last ounce that broke the back of the camel (1832)
  • The last straw will break the camel’s back (1836)
  • As the last straw breaks the laden camel’s back (1848)
  • This final feather broke the camel’s back (1876)
  • The straw that broke the donkey’s back
  • The last peppercorn breaks the camel’s back
  • The melon that broke the monkey’s back
  • The feather that broke the camel’s back
  • The straw that broke the horse’s back
  • The hair that broke the camel’s back
  • The last ounce broke the camel’s back

There is also “the last drop makes the cup run over”, and variations on that theme in English.

Versions in quite a few other languages also refer to overflowing cups or other vessels, for example:

  • German: der Tropfen, der das Fass zum Überlaufen bringt.
    the drop that makes the barrel overflow
  • Italian: la goccia che fa traboccare il vaso
    the drop of water that makes the glass overflow
  • Russian: ка́пля, перепо́лнившая ча́шу (káplja, perepólnivšaja čášu)
    the drop that made the bowl overflow
  • Turkish: bardağı taşıran son damla
    the last drop that makes the glass overflow

There are, however, quite different versions in some languages:

  • Scottish Gaelic: théid capall don choille ach brisidh aon uallach a chridhe
    the colt will go to the forest, but one burden will break his heart
  • Welsh: pennog gyda phwn dyrr asgwrn cefn ceffyl
    adding a herring to a load break’s a horse’s backbone (not sure of this translation)

Are there interesting equivalents of this saying in other languages?

Sources: https://en.wiktionary.org/wiki/the_straw_that_broke_the_camel%27s_back#English
https://en.wikipedia.org/wiki/Straw_that_broke_the_camel%27s_back
https://geiriaduracademi.org/
https://www.phrases.org.uk/meanings/the-last-straw.html

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Fictile Dairymaids

I came across an interesting word yesterday that I hadn’t seen before: fictile. It means capable of being moulded into the shape of an artifact or art work; moulded clay or earth; relating to earthenware, or capable of being led or directed. Synonyms include pliable and moldable.

Hopi Tewa Pot

Fictile comes from Latin fictilus, from fictus (feigned, fictitious, false), from fingō (to shape, fashion, form, deceive, pretend), from Proto-Italic *fingō (to knead, form), from Proto-Indo-European *dʰeyǵʰ- (to knead, form, shape) [source].

Words for the same roots include: dairy, dough, feign, feint, fiction, figment and figure in English [source].

The word dairy comes from Middle English daierie (dairy, pantry, dairy farm), from daie/dey (dairymaid), from Old English dǣġe (maker of bread, baker, dairy-maid), from Proto-Germanic *daigijǭ (kneader of bread, maid), from Proto-Indo-European *dʰeyǵʰ- (to knead, form) [source].

The word lady has similar roots: from Middle English ladie (the mistress of servants; female head of a household, manor, etc), from Old English hlǣfdīġe (mistress of a household, wife of a lord, lady), from hlāf (bread, loaf) and dīġe (kneader), which is related to dǣġe (maker of dough/bread). So a lady was originally a “bread-kneader” [source].

Incidentally, dough is used as a slang term for money, as is bread . This is thought to have started during the 19th century. Bread was a traditional everyday necessity of life, and to earn one’s living was to earn one’s bread, or crust, so bread, and the dough it’s made from, became synonymous with money [source].

The use of bread as slang for money may also be linked to Cockney Rhyming Slang – bread and honey = money. This should not be confused with bread and butter = gutter, or bread and cheese = sneeze [source].

Ways to “to earn a living” or “to earn a crust” in Welsh include ennill eich bara menyn (to earn one’s bread and butter) and ennill eich bara a chaws (to earn one’s bread and cheese).

Are there interesting ways to say “to earn a living” in other languages?

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Mud Glorious Mud

If you live in a muddy place, or want to describe such a place, you could use the old word lutarious.

cute and muddy

It means “of, pertaining to, or like, mud; living in mud”, and comes from the Latin word lutarius (of or belonging to the mud, living in mud), from lutum (mud, soil, dirt, mire, loam, clay), from Proto-Indo-European *lew- (dirt, mud) [source].

A related word is lutulent [ˈlʌtjʊlənt], which means pertaining to mud, or muddy.

Words for the same roots include:

  • Albanian: llucë = thin or shallow mud, muddy place
  • Portuguese: lodoso = muddy
  • Romanian: lut = clay, loam, mud, dirt, lutos = clayey
  • Spanish: lodo = mud, muck, mire, lodoso = muddy, boddy

Lutetia, the Gallo-Roman town founded in 52 BC that became Paris, gets it’s name from the Gaulish word *lutos (swamp), from Proto-Celtic *lutā (dirt, mud), from PIE *lew- (dirt, mud). It was known as Lutetia Parisiorum by the Romans. The Parisiorum part comes from Parīsiī, the Latin name for the Gaulish tribe who lived in the area. The name Paris comes from the same roots.

You can find more details on Radio Omniglot.

Incidentally, the French word boue [bu] (mud, dirt), also has Celtic roots: it comes from the Gaulish *bawā (mud, dirt), from Proto-Celtic *bowā (dirt, filth, excrement), from Proto-Indo-European *gʷewh₁- (excrement, dung) [source].

The Galician word bosta (dung, manure) comes from the same Celtic roots, as do the Welsh words baw (mud) and budr (dirty, filthy, vile, foul) [source].

Gwineas buoy

The French word boue shouldn’t be confused with the Breton word boue [ˈbuː.e], which means buoy. It comes from Middle English boi(e) (buoy), from Middle Dutch boeye, from Old Dutch *bōcan, from Frankish *baukn (symbol, sign) from Proto-Germanic *baukną (sign, symbol), from PIE *bʰeh₂- (to glow, light, shine) [source].

By the way, do you pronounce buoy [bɔɪ] (boy) or [ˈbu.i] (boo-ee), or some other way?