Procrastination – “the act of postponing, delaying or putting off, especially habitually or intentionally.” From the Middle French procrastination, from the Latin prōcrāstinātiō (a putting off until tomorrow), from prōcrāstinō (procrastinate), from prō (of) + crāstinus (tomorrow), from crās (tomorrow) [source].
Crās comes from the Proto-Italic *krās, and is probably from the Proto-Indo-European *ḱerh₂- (head, top), which is the root of words for head, horn, cow and others in various Indo-European languages
Crās became crai in Italian, crás in Portuguese and cras in Sardinian. These all mean tomorrow, but only the Sardinian one is still used. Tomorrow is domani in Italian – from the Late Latin dē māne (of the early morning), amanhã in Portuguese – from Vulgar Latin *ad maneana (at morning). The French demain (tomorrow), and the Romanian dimineață (morning), come from the same root as the Italian domani.
I have a tendency to procrastinate, and often put off things that don’t seem important or urgent. For example, there’s a pile of papers on my desk that could do with filing, and I might just get round to it one of these days. It’s not the end of the world if I don’t though.
Sometimes, when I’m in a getting-things-done-mood, I go round doing all the things I’ve been putting off for days/week/months/years. Or at least as many of them as I can before I get distracted by something more interesting.
Some things I put off and do something easier instead – writing this blog post, for example, rather than recording the next episode of my podcast, or doing some language lessons rather than practising one of my instruments.
I precrastinate as well, but wasn’t aware of it. Or at least I didn’t have a word for this practice until now.
Are you a procrastinator, and/or a precrastinator?
What task / jobs / activities do you tend to put off?
I got back from the Polyglot Gathering in Berlin late on Monday night. I travelled by train the whole way, which is a bit more expensive than the plane, and takes a few hours longer, but I prefer to travel this way, and you see more. The journey went smoothly, apart from the train from London, which was an hour late getting into Bangor. Fortunately I got a partial refund on my ticket. On the Eurostar I talked to a interesting lady from Vancouver, and on the train to Bangor I talked, mainly in Welsh, to a doctor from Felinheli.
This year’s Gathering was as much fun as previous years – it was my third. I arrived in Berlin quite late on Wednesday evening the day before it officially started, and missed out on most of the polyglot games that were going on in the afternoon and evening. Next year I might arrive a day or two before the start to give me a chance to explore more of Berlin – this year I spent most of my time in the venue and didn’t go exploring.
Over the next four days I learnt about many things, including Portuguese-based creoles, Greek, minimalism, Sardinian languages and dialects, why many language learners don’t acquire native-like accents, metaphors in native Canadian languages, language mentoring, how musical techniques can be applied to language learning, the stagecraft of multilingualism, and much more. I got to know old friends better, met lots of new ones, and I spoke lots of different languages. My talk on Manx went well, as did the introduction to Welsh that I helped with.
The talks were mainly in English, with some in French, Italian, German, Esperanto, Dutch, Spanish, Russian, Indonesian, and in various combinations of these.
Between us we polyglots speak quite a few different languages. The most common (i.e. those with quite a few speakers / learners) include English, French, Spanish, Italian, Portuguese, Catalan, Romanian, Esperanto, German, Dutch, Swedish, Norwegian, Danish, Russian, Czech, Slovak, Polish, Serbian, Greek, Finnish, Hungarian, Welsh, Irish, Mandarin, Cantonese, Japanese, Korean, Indonesian, Malay, Arabic, Persian, Hebrew and Swahili. There were also speakers and learners of Wolof, Punjabi, Hindi, Marathi, Romani, Tamil, Latin, Scottish Gaelic, Manx, Cornish, Breton, Sardinian, Luxembourgish, Latvian, Lithuanian, Macedonian, Bulgarian, Slovenian, Albanian, Basque, Tagalog, Turkish, Navajo, Toki Pona, Klingon, and probably other languages.
I’m looking forward to the next polyglot event – the North American Polyglot Symposium in Montreal in July. I’ll be doing a talk on the origins of language there, so should get working on it.
Some things I learnt from the Gathering
There are many ways to learn languages, and no single way will work for everyone. Some like to focus on one language at a time until they have reached a level they are happy with, then move on to the next language; others like to study many different languages at the same time. Some learn grammar and vocabulary first, then learn to speak; others start using their languages straight away, or soon after they start studying. Some like to study on their own; others like to study in a class and/or with a private tutor. Some combine many of the above and more, to varying degrees – I certainly do.
From Malachi Rempen’s talk on cartooning, minimalism and language learning (Less is More: What Silly Doodles Can Teach Us About Fluency), I learnt that you can do a lot with a little. He showed how he can make his Itchy Feet character express a wide variety of emotions with just a few lines, and suggested that the same can be applied to languages – you can communicate even if you know only a little of a language. He also argued that fluency means different things to different people, and might not be the best thing to aim for.
Tim Keeley, professor of Cross-Cultural Management at Kyushu Sangyo University in Fukuoka, explained that the idea that only children can acquire native-like accents in foreign languages is wrong – the brain is flexible throughout live and you can learn to perceive and produce foreign sounds. However there are emotional barriers which stop many people from sounding ‘native’. When learning another language you can also take on or create a new identity, and those who are willing and able to do this are most likely to sound more like native speakers. You also shouldn’t worry about mimicking people. In fact that is a good way to acquire native-like pronunciation.
Michael Levi Harris, an actor and polyglot from New York, talked about parallels between learning a part and learning a language. He explained that actors tend to exaggerate speech and physical mannerisms when learning a part, then make them more subtle, and that language learners can try the same things – exaggerate the pronunciation, gestures, etc. until they become second nature, then tone them down. He also talked about taking on different identities when speaking different languages and with different accents. If you can find a native speaker of a language whose voice and mannerisms appeal to you, then you can create your character in that language based on them.
The extend to which you take on a new identity in a new language depends on how much you want to integrate into a new culture. If you want to be taken for a native, then you need to sound and act like them. Alternatively you could try sounding like a native, perhaps with a bit of a foreign accent, but not worry so much about acting like them. If you spend a lot of time in a different county interacting and observing the natives, you’re likely to pick up at least some of their behaviour anyway.
Fiel Sahir, an Indonesian-American musician and polyglot who currently lives in Germany, talked about applying musical techniques to language learning. He explained how practice is the key to music and language, but it has to be intelligent practice that focuses on areas that you find difficult. This might be particular passages in a piece of music, or particular tenses or noun declensions in a language. By focusing like this, you can make a lot of progress.
Focus is something that I find difficult sometimes. I can and do focus, but often get distracted. I was thinking about how I’ve been dabbling with a variety of languages recently and not making a lot of progress in any of them. So my plan is to focus on one, or two, languages for the next year – Russian and Czech – and learn as much as I can in them. I will keep my other languages ticking over, but not spend much time on them.
I’m currently at the Polyglot Gathering in Berlin. I arrived here on Wednesday evening and have been speaking and hearing lots of different languages. So far I’ve had conversations in English, French, Welsh, German, Irish and Mandarin, and spoken bits and pieces of Spanish, Italian, Russian, Czech, Portuguese, Toki Pona and Esperanto. I’ve also heard some Finnish, Punjabi, Korean, Japanese, Polish, Slovak, Sardinian, Dutch, Hebrew, Indonesian, Norwegian, Swedish and other languages that I didn’t recognise.
Yesterday I went to talks on Portuguese Creole languages, Greek, language learning and linguistics, how to achieve advanced language competence, and on connections between cartoons and language learning. This morning I’ve been to talks on teaching multiple languages simultaneously, and languages and dialects of Sardinia. All the talks I’ve been to so far have been in English, apart from the Sardinian one, which was in Italian.
I’ve met lots of people I know from previous polyglot events, and lots of new people too. I might try to explore a bit more of Berlin at some point as well.
A Sardinian friend of mine, Elena Piras, knows six languages (Sardinian, Italian, English, Scottish Gaelic, French and Spanish) and sings in most of them, plus a few others, including Scots, Bulgarian and Georgian.
Here’s a recording of a performance from earlier this year in which she sings in Sardinian, Scots, English, Scottish Gaelic and Bulgarian.
Elena aims to sing each language in as close to a native accent as possible, and I think she does this very well.
Another multilingual singer is Jean-Marc Leclercq or JoMo, who holds the world record for singing in the most languages in one performance: 22. I heard him doing this at the Polyglot Gathering in Berlin in May this year. His pronunciation in the languages I know didn’t sound entirely native-like, and it sounded like he had a strong French accent in the other languages.
Do you know other singers who sing in multiple languages?
How well do they pronounce them?
I myself sing in various languages, and try to pronounce as well as I can, but know I could do better.
Here’s a recording of a song I wrote earlier this year in the five languages I know best (English, French, Welsh, Mandarin and Irish):