Protagonists and sidekicks

When listening to The Allusionist podcast today I learnt an interesting word – tritagonist, who was the actor who played the third role in ancient Greek drama.

Tritagonist comes from the Ancient Greek word τρίτἀγωνιστής (triagōnistḗs), from τρίτ ‎(third) and ἀγωνιστής ‎(combatant, participant).

The actors who played the first and second roles in ancient Greek drama were known as the protagonist and deuteragonist, or sidekick. Proto- comes from πρῶτος ‎(first), a superlative of πρό ‎(before), and deuter- from δευτερ (second).

Proto goes back to the Proto-Indo-European *pro/*per- (to go over), which is also the root of:

– Proto-Celtic *ɸro = before, in front of, in addition
– Welsh rhy = too
– Irish ro = too
– Proto-Germanic *fram = from, by, due to
– English from
– Scots frae = from
– Swedish från = from; and fram = forward
– Icelandic frá = from, away from, about
– Latin per = through, by means of, during, and related words in Romance languages.

The antonym of protagonist is antagonist, from ἀντί ‎(against) and ἀγωνιστής (combatant, participant).

Source: Wiktionary

Pull up a pew

Take a pew

One thing that came up in the French Conversation Group last night was church pews, and particularly how uncomfortable they are. We discovered that in French a pew is un banc (d’église).

Banc also means seat or bench, and can mean other things in combination with other words:

– banc de sable = sandbank
– banc des accusés = dock (in court)
– banc des témoins = witness box
– banc de touche = dugout
– banc des avocats = (legal) bar
– banc de brouillard = patch of fog
– banc de sable = sand bar

Banc comes ultimately from the Proto-Indo-European *bʰeg- ‎(to bend, curve, arch), which is also the root of banque (bank) and banquet (dinner, reception, banquet), as well as bank, banquet and bench in English, and related words in other languages.

The French equivalent of pull up a pew or take a pew (take a seat, sit down), is prends-toi une chaise or tire-toi une bûche (pull up a log). Are there other ways to say this?

Sources: Reverso, Wiktionary, WordReference.com

The white light of the world

свет (svet)

An interesting and useful Russian word I came across today is свет [svʲet], which means light, and also lights, lighting, day, radiance, power, electricity, world and (high) society.

It comes from the Old East Slavic свѣтъ ‎(světŭ – light; world), from Proto-Slavic *světъ ‎(light; world), from the Proto-Balto-Slavic *śwaitas, from the Proto-Indo-European *ḱwoytos / *ḱweytos ‎(bright; shine), from *ḱwey-.

Related words in other Slavic languages include: Belarusian: свет ‎(world), Ukrainian: світ ‎(world, universe), Bulgarian свят ‎(world, earth, universe), Macedonian: свет ‎(world), Slovene: svẹ̑t (sacred, holy), Czech: svět (world), Polish: świat (world), and Slovak: svet (world) and svetlo (light).

Words for white in Germanic languages come from the same PIE root: such as white in English, weiß in German, wit in Dutch, hvit in Norwegian, vit in Swedish and hvid in Danish.

Here are some examples of related words and usage:

– светать = to get/grow light
– светлый = bright, light, lucid
– светильник = lamp
– светить = to shine
– светлеть = to lighten
– свети́ло = heavenly body; luminary
– светофо́р = traffic light
– свеча́ = candle; spark plug; suppository
– дневно́й свет‎ = daylight
– со́лнечный свет‎ = sunshine, sunlight
– я́ркий свет = bright light
– ско́рость све́та = speed of light
– при свете луны/свечи = by moonlight/candlelight
– в свете = in the light of
– ни свет ни заря = at the crack of dawn
– чуть свет = at daybreak
– появи́ться на свет‎ = to be born (“to arrive in the light/world”)
– выходить в свет = to be published (“to face the light/world”)
– проливать свет на что = to shed/throw light on sth
– тот свет = the next world

The name Светлана (Svetlana) also comes from the same root.

Sources: Reverso, Wiktionary

Разговорник

I came across a useful Russian word today when searching for Chechen phrasebooks – разговорник (razgavornik) [rəzɡɐˈvornʲɪk] – I guessed it meant phrasebook from the context, and also because разговаривать (razgavarivat’) means to talk (to).

It is a combination of разговор (razgavór – conversation, talk) and the suffix ник (nik), which usually denotes a profession, performer, place, object, tool or a feature.

Here are some related words and examples of use:

– го́вор = the sound of talking, voices or speech; murmur; dialect; pronunciation, accent
– говори́ть = to talk, to speak, to say, to tell
– это другой разговор! = that’s another matter!
– без разговоров = without a word
– Мне даже не нужно об этом разговаривать = I don’t even need to talk about it
– Но мне не хочется сегодня разговаривать = Sorry, but I don’t feel much like talking tonight

There are many more Russian words which come from the same root: https://en.wiktionary.org/wiki/говорить

Other words that use the suffix ник include:

– дневник (dnevnik) = diary
– спутник‎ (sputnik) = fellow traveler; satellite
– ученик‎ (učenik) = schoolboy
– учебник‎ (učebnik) = textbook

This suffix is also used on some English words, such as beatnik, peacenik, refusenik, and on loanwords from Yiddish like nudnik (a bore, pest, annoying person), nogoodnik (a person who is no good), which probably comes from the Russian негодник ‎(negodnik – worthless person, reprobate, ne’er-do-well). The last too are new to me. Have you heard them before?

Sources: Reverso, Wiktionary

Getting Past the Intermediate Plateau

Today we have a guest post by Olly Richards of IWillTeachYouALanguage.com

Behind The Scenes at the Fluent Spanish Academy

An illustration of the stages of learning

If you’re starting to learn a new language, the internet is awash with advice and resources geared towards beginners.

But as you make progress with your new language, and hit the dreaded intermediate plateau, it becomes more difficult to know exactly how to study.

When I decided to create an online course to learn Spanish, I decided to focus on this problematic intermediate stage, in order to help the disproportionate number of Spanish learners who find themselves stranded there.

But how do you help someone learn intermediate Spanish?

What is the best way to learn Spanish when you’re stuck at the intermediate plateau?

And how do you do this online?

If you deliver classes face-to-face, the direct interaction with students allows you to help them more intimately. How can you get people results through online learning?

Attempting to solve this problem has been one of the most interesting challenges I’ve faced so far in the development of language materials.

Conceptualising An Intermediate Spanish Course
On the one hand, I have the memory of becoming fluent in Spanish myself, and my ideas for how to learn a new language in general. On the other, I know that not everyone can follow my path, and must contend with their own unique circumstances.

A photo of Olly with some students

When I first created the concept for the Fluent Spanish Academy, I had a broad idea of the resource I wanted to create.

But I also knew that it would need to be moulded over time, depending on the feedback from members, and the results they got in their Spanish.

After all, it’s not just about the quality of the materials you make, it’s about how students interact with them, and that can be hard to predict.

For this reason, the Fluent Spanish Academy first launched as a BETA group. I set a low monthly membership price, and invited people to join in return for their direct feedback on the content. 100 members joined, and the doors stayed closed for around 4 months while I worked with everyone and listened to their feedback.

So, what exactly was inside?

Well, after a lot of deep thinking about the nature of the intermediate plateau, and why it’s difficult for Spanish learners, I realised three things:

1. You need to begin to study the whole language, rather than a diet of structured tuition

2. You need learning advice from more experienced others (such as a friend, tutor, or fellow learners), so you know what to improve and how

3.You need a community of other learners, so you can stay motivated for long enough to break through the intermediate plateau.

The main features of the Academy therefore addressed these three points primarily.

Here’s how…

1. Study The Whole Language
One of the main strategies that helped me become fluent in Spanish after learning the basics was to immerse myself in the whole language. Listening to Spanish spoken in groups, emailing friends, reading books, and so on.

The difficulty for the intermediate learner, however, is that this kind of activity is often far above your level, and it can be difficult to feel like your studying is productive.

For the Academy, then, I created the following:

  • Weekly audio lessons, where I present natural dialogues in Spanish, full of real, conversational phrases you’ll hear on the street. This gives the learner exposure to useful, authentic language in a context that isn’t overwhelming.
  • Short stories in Spanish with accompanying audio, which focus on specific areas of grammar, such as the imperfecto vs preterito, or ser vs These give reading and listening practice that is comprehensible, not too long, and via the medium of story.

One of the main pieces of feedback I got from the BETA stage was that members needed more challenging, unstructured listening practice. So, I added:

  • Short, spontaneous conversations in Spanish between native speakers from different countries. These come fully transcribed, and give the learner the challenge of listening to real Spanish with different accents, plus the ability to read along and check any difficult parts.

2. Advice On Your Spanish
When I was learning Spanish, I was lucky enough to have some very astute mentors. They were both native and non-native Spanish speakers who were very generous with their feedback and pointed out areas of my speaking that needed improvement.

They would give me incredibly useful “meta” feedback like: “Olly, when you begin sentences in Spanish it sometimes sounds a bit unnatural.” Or: “You know, in the Canary Islands you should say X. Y is from Spain!”

This kind of feedback helped me correct my errors quickly, learn Spanish fast, sound more native-like, and learn things that I would never have learnt from a book.

In the Fluent Spanish Academy, I wanted to replicate this advice, because I know just how important it was. Therefore, every month, we have a special live training session, where I teach members specific learning strategies that have helped me, plus certain shortcuts I’ve used to master difficult areas of Spanish.

3. A Community To Stay Motivated
This was a no-brainer, but harder than I thought to get right!

With new members joining the Academy from all around the world, we had a ready-made community of Spanish learners. I thought about the ideal way to organise the community, and I created a private forum for the website, organised into different message boards, with special areas for discussing resources, asking questions, arranging meetups etc.

At first, it was on fire!

Everyone was so enthusiastic to get started that the conversation and interaction in the forums was better than I could have ever imagined. However, after a few months, the buzz started dying down. I wasn’t sure why that was, but eventually I realised it was because in the era of social media, people only head to one place for their conversation… Facebook.

Although I had specifically decided not to host the community on Facebook at the beginning, because I wanted to try and encourage depth and focus, I eventually made the decision to migrate the forums over to a private Facebook group.

Luckily, it was the best decision I’ve made so far!

The new Facebook group quickly took off, and there was an instant rekindling of community and motivation, I suppose because…we’re all on Facebook already, and that’s where the conversation is happening!

What was great about this move, though, was the new possibilities I discovered as a result. I began to use the interactivity of the Facebook group to organise special monthly challenges. I would give everyone a special daily study aim for the month, together with supporting materials and accountability partners to make sure they study.

As I write this piece, for example, we’re gearing up to spend an entire month focused on improving Spanish past tenses. Every day, members will receive special exercises on the imperfect vs preterite (e.g. Comió or comía? Fue or iba?), and they have to check off their progress on a public tracking sheet after studying every day.

This has had the wonderful effect of gathering everyone around a common aim, and the community has become far more lively as a result!

Innovation In Learning Spanish Online
I’ve learnt the 8 languages I speak in non-conventional ways.

As a result, I’m a big believer in innovation in language teaching.

I find that language learners often get trapped with the conventional study methods they were taught at school, but can find their motivation and progress transformed when exposed to more independent and community-based ways of learning.

That’s what I’m trying hard to do with the Fluent Spanish Academy, and certainly, the results and feedback from our members so far suggest that it’s working!

The Academy is by no means perfect, but it’s been a fascinating journey creating this community, and I look forward to turning it into the single best resource for Spanish learning on the entire internet!

Dream big, right?

About the writer
Olly Richards is a language teacher, consultant and author, and speaks 8 languages. He runs IWillTeachYouALanguage.com, where he blogs regularly about language learning.

Going through the motions

Russian verbs of motion

In English you can use the verb to go to indicate any kind of travel – it doesn’t matter if you’re going on foot, by bicycle, car, bus, train, boat or plane. There are other verbs you can use: walk, stroll, hike, cycle, drive, travel, sail, fly, etc, but you can also just use go.

In some other languages the verbs you use for motion depend on how you are going. In German, for example, gehen is used when you go by foot, and fahren is used when you use some form transport, such as a car, train, bus or bicycle.

Other German words for motion include:

– reisen = to travel
– fliegen = to fly
– laufen = to run, to go, to walk
– spazieren = to stroll, to strut
– spazieren fahren = to go for a drive, ride or run
– spazieren führen = to take sb for a walk
– spazieren gehen = to go for a walk or stroll
– schreiten = to stride, walk, proceed, strut, stalk
– wanderen = to wander, roam, drift, ramble, hike
– führen = to sail, carry, fly, pilot, take, lead

The German word fahren comes from the Old High German faran (to proceed, go, travel), from Proto-Germanic *faraną (to go, travel), from the Proto-Indo-European *per- ‎(going, passage), which is also the root of the English words fare and ferry, and related words in other Germanic languages.

In Russian you have to think not only about how you are going, but also whether you’re coming back or not. There are two main verbs for to go, each of which has several aspects:

ходить/идти (пойти perf) = to go (on foot), to move; to wear (smth); to go (to), attend, visit; to run (trains, ships); to work, run (clocks); to lead, play, move (in games); to tend, take care of, nurse.

ездить/ехать (поехать perf) = to go (by horse or vehicle), to ride, to drive; to come; to visit; to travel

Ходить and ездить are the indeterminative imperfective aspects. They are refer to repetitive or recurring activity that may or may not occur on a given path.

Идти and ехать are the determinative imperfective aspects. They are refer to a single activity at a single time, along a single path.

Here are some related expressions and examples of usage:

– Татьяна уже пошёла в школу = Tatiana already went to school (Perfective)
– Татьяна идёт в школу = Tatiana is going to school (Determinative imperfective)
– Татьяна ходит в школу (пять дней в неделю) = Tatiana goes to school (five days a week) (Indeterminative imperfective)
– Ходи́ть пешко́м‎ = to walk, to go on foot, to hike
– Ходи́ть го́голем‎ = to strut
– Ходи́ть босико́м‎ = to go barefoot
– Ходи́ть вперева́лку/вразва́лку/вразва́лочку‎ = to waddle
– Ходи́ть на лы́жах‎ = to ski
– Ходи́ть на цы́почках‎ = to tiptoe
– Ходи́ть в похо́д‎ = to hike
– Часы́ не хо́дят = The watch doesn’t work
– Поезда́ сего́дня не хо́дят = There are no trains (running) today.
– Идём в кинотеа́тр = Let’s go to the cinema.
– Идёт дождь = It’s raining.
– Идёт снег = It’s snowing.
– Он часто ездит в Китай = He often goes to China.
– Сегодня вечером мы идём танцевать = We’re going dancing tonight.
– Пойдем на пляж = Let’s go to the beach.
– Я люблю ходить пешком = I like walking
– Мы ходили в паб = We went to the pub.
– Ты пойдёшь завтра гулять? = Will you go for a walk tomorrow?
– Она ездила в Петербург на машине = She went to St. Petersburg by car.
– Они будут ехать домой на поезде = They will be going home by train.

Other verbs of motion in Russian include:

– Бегать / Бежать = to run
– Бродить / Брести = to stroll
– Гонять / Гнать = to drive
– Лазить / Лезть = to climb
– Летать / Лететь = to fly
– Плавать / Плыть = to swim, to sail
– Ползать / Ползти = to crawl
– Возить / Везти = to transport, to carry (by vehicle)
– Носить / Нести = to carry, to wear
– Водить / Вести = to lead, to accompany, to drive (a car)
– Таскать / Тащить = to drag, to pull

More about Russian verbs of motion

Sources: Wiktionary, Reverso, Russianlessons.net

A Tragic Goat Song

A tragic goat

How is the word tragedy connected to goats and songs?

The answer is that tragedy comes ultimately from the Ancient Greek word τραγῳδία ‎(tragōidía – epic play, tragedy) which comes from τράγος ‎(trágos – male goat) and ᾠδή ‎(ōidḗ, – song).

Apparently the goat reference comes from satyrc drama, which featured actors dressed in goatskins playing satyrs. Or because at Athenian festivals a goat was given as a prize for the best play or performance, and then sacrificed, and a τραγῳδία was a lament for the goat.

Another idea from Athenaeus of Naucratis (2nd–3rd century BC) is that the original form of the word was trygodia from trygos (grape harvest) and ode (song), as the festivals took place during the grape harvest

Tragedy entered English during the 14th century as tragedie, when it meant ‘a play or other serious literary work with an unhappy ending’. It came from the Old French tragedie, from the Latin tragoedia ([theatrical] tragedy). It came to mean an unhappy event, calamity or disaster at the beginning of the 16th century.

Sources: Wiktionary, Online Etymology Dictionary, Oxford Dictionaries, English Word Information