Category: Writing, fonts & typography

Devanagari Fonts

By Simon

Namaste,

Simon agreed that I’ll occasionally post reviews about Asia, India and devanagari, typography and some font & linguistic software related matters as well.

I’m a young man, born in Riga and spreading the Sanskrit message around the world. Working as a Sanskrit Reader in Russia, teaching at the Russian State University and writing a PhD about Sanskrit verbal roots. I’m planning to publish several Sanskrit manuals and reprints of old books in the near future. I’m an editor as well of the Sanskrit section of the Open Directory and http://nagari.southindia.ru. So you can download some dictionaries there, etc.

It is strange that 200 years after the first Nagari typefaces where cast in iron in India, we’ve got no fine Devanagari fonts at our disposal. Ok, we have quite a few Hindi fonts. But, hey, there are many differences. No Devanagari fonts at the moment supports the four variants of “la” or the northern (Varanasi) and southern (Mumbai) variant of the letter “a”. Ok, some may say that who cares about Nagari font, but you do know and notice the difference, if you’re a teacher – students get stuck seeing a letter they’ve never seen before and have no reference chart to look upon.

None of the True Type Unicode fonts have a precoded ligature for “sthva” (which means the “va” should be under the “sth” and not beside it) as it was in the good old times when Harvard Oriental Series was printed (even they have lost the type in the latest editions, e.g. the 50th edition was printed in transliteration only). All the letters in Windows fonts are written without even the slightest break, though it is well known that in the manuscripts and books printed before 1914 in Europe, Devanagari letters are separated buy 1-1.5 mm. Maybe it is not very good from the point of view of grammarians, but, sure, it looks much better. Devanagari font differences like these can be continued.
That’s it for today, next post will be in a while. Is there anybody who’s interested to hear about Unicode Devanagari font matters?

Word of the day – transliteration

By Simon

Transliteration, from the Latin trans, across, and littera, letter, is the practice of transferring a text from one writing system to another. Transliteration can be used to give people who can’t read other alphabets an idea how to pronounce words and names, though without some knowledge of the idiosyncrasies of pronunciation of the original languages, their pronunciation will probably sound only vaguely like the original.

In phrase books you often find transliterations designed to show how to pronounce things based on the mother tongues of the readers. Such guides tend to be confusing as the ‘phonetics’ might not make much sense to you. A few phrase books and language course provide IPA pronunciation guides, which are great, if you’re familiar with the IPA.

In the phrases section on Omniglot, I try to provide transliterations for all languages written with non-Latin writing systems. Many languages have several different transliteration systems and I usually choose the most widely-used. The transliterations may not make sense to everyone, but there are recordings of quite a few of the phrases, so you can at least hear how to pronounce them. Ideally there would be sound files for all the phrases, plus maybe IPA transcriptions, and with your help, maybe that will be the case one day.

I chose this word today because someone suggested that some of the transliterations on my phrases pages are confusing, especially to Americans. The trouble is, if I made the transliterations American-friendly, people from other countries might not find them useful.

Beowulf to Virginia Woolf

By Simon

The British Library website, which I came across today, has some interesting information about language and writing in the Language and the written word section. It tells the story of written English from the Beowulf, the earliest known narrative poem in English, to Virginia Woolf’s early 20th century novels, with samples of each.

The site also includes recordings of the accents and dialects of the UK, details of cook books through the ages, and a history of English language dictionaries, among other fascinating information.

Unusual characters

By Simon

Believe it or not the Chinese characters shown below are all variants forms of the ‘same’ character.

Variant forms of the complex Chinese character for one

The character in question is 壹 (yī) – the complex form of ‘one’, which is used on banknotes, coins and cheques. Well actually the first one is a version of 一, the simple from of ‘one’.

The first two characters come from this site, which includes a number of other rare and unusual Chinese characters. The only one of them I’ve seen ‘in the wild’ is the Shanxi noodle one (no. 2), which appears in many Chinese restaurants in the UK.

Word of the day – typography

By Simon

Typography is:
1. the art or process of printing from type;
2. the art or process of setting and arranging type for printing;
3. the arrangement, style, or general appearance of printed matter
(from yourdictionary).

It comes via French and Latin from the Greek τύπος (typos), to strike + γραφία (graphia), to write.

I chose this word today because I found an interesting blog about typhography called I Love Typography. As well as discussing typography, the author also gives advice on creating your own fonts, something that quite a few people ask me about. There are also some slightly less-than-serious posts, such as this one about Typoholism, “A disorder characterized by the excessive consumption of and dependence on type…”.

I think I ‘suffer’ from typoholism, and a related condition for which I can’t think of a word at the moment. Can you think of a word for my love of languages and writing systems? Perhaps ‘panglotophilia’.

Typo Tour

By Simon

I received an email today about what is apparently the first Typographic Tour of Italy or Il Grand Tour della tipografia italiana. When I first saw the subject of the email I thought someone was organising a tour of Italy especially for typographers. Then I realised it’s actually a virtual tour via images and text on a website. There are also links to GoogleEarth, which enable you to see maps and images of the sites where the examples of type and lettering are found.

The site contains examples of inscriptions and signs from around Italy in a variety of styles and provides information about the people who designed the typefaces. Most of the information is in Italian, but there is also an explanation of the project in English.

Rivers of white and run arounds

By Simon

Continuing yesterday’s theme of typography, here are a few more interesting typographic terms I came across today:

River of white
– a column of white space that occurs when word space in quite a few successive lines of type happen to end up below each other, as mentioned by P Terry Hunt in the comments on yesterday’s post.

Run around
– this when you fit the text around a picture or other design element.

Pagination
– this means either arranging the type and other elements so that they will be output in page format, or numbering the pages.

This is a term I heard frequently when I worked in the design department as a lone web developer surrounded by graphic designers. Since then the internet side of the company has expanded considerably.

Gutter
– the white space between columns on a page.

Widow
– either a single short line at the top of the page or column which is the end of a sentence or a paragraph, or a single word or syllable standing as the last line of a paragraph.

Source: http://www.typography-1st.com

Alphabets and email

By Simon

One of the things I do in my job is to prepare html emails in many different languages, which are sent out by our web marketing bods. We’ve discovered that the text of emails in non-Latin writing systems often gets mangled in transmission, so to make sure the recipients can read the text, we send the emails in English with links to web pages containing text in the relevant languages.

Maybe one day you’ll be able to send emails in any language/writing system and be sure the text will display correctly at the other end. This doesn’t seem to be the case just yet.

I’ve also noticed that Latin transliterations are used by quite a few people who speak languages written with non-Latin writing systems in instant messages and other online chat and discussions. This may be because the systems don’t support of writing systems, or because they don’t always have the necessary input software and/or hardware to hand. Then again, some people might just find it easier to type quickly in the Latin alphabet.