![\"Language](\"http:\/\/www.omniglot.com\/images\/blog\/eog.jpg\")
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On Tuesday I saw a play in Bangor called Merch yr Eog \/ Merc’h an Eog<\/strong> (Daughter of the Salmon) in four different languages: Welsh, Breton, French and Guadeloupean Creole. <\/p>\n It was a co-production between Theatr Genedlaethol Cymru (Welsh National Theatre) and Teatr Piba from Brittany, and featured actors from Wales and Brittany. The lead role was played by Lleuwen Steffan, a Welsh singer-song writer who lives in Brittany and speaks Welsh, Breton, French, and English, fluently.<\/p>\n For me it was interesting to hear all the different languages, especially the Breton. I understood most of the Welsh and French, though I couldn’t always hear what they were saying clearly, and understood, or at least recognised, bits of the Breton. <\/p>\n There’s some discussion in the play about similarities between Welsh and Breton words, though I doubt very much if any of the Welsh speakers in the audience understood much of the Breton, unless they’d studied it. The languages have many similar words, but sound very different.<\/p>\n When one of the actors started speaking in Guadeloupean Creole I thought it was French at first with an unfamiliar accent, but when I listened more closely I thought is was probably a French-based Creole.<\/p>\n Translation was provided via an app called Sibrwd (Whisper) and was available in English, Welsh, French and Breton. However it was mainly a summary of what the actors were saying rather than a word-for-word translation, and wasn’t in time with the speech. Sometimes it was behind, sometimes ahead, so it was like watching a badly dubbed film, and made it tricky to follow the story.<\/p>\n